Sarah Marty is Director of the Bolz Center for Arts Administration in the Wisconsin School of Business at University of Wisconsin-Madison where she teaches courses on Arts Entrepreneurship, Arts Management and Leadership, and Hamilton: An American Musical. The 2008 winner of the UW Bartell Award for the Arts, additional producer credits include shows and events for Madison Early Music Festival, Forward Theater, Wisconsin Public Television, Wisconsin Public Radio, Madison Opera, and Madison Theatre Guild. Career Highlights include: Overture Center 10th Anniversary Celebration, 2013 and 2016 events with His Holiness the 14th Dalai Lama, WPR Centennial Event, and two decades as the director and production manager for the UW Varsity Band Show. Master’s Degree in Business from the Bolz Center for Arts Administration, MS in Curriculum & Instruction, Bachelor of Music Education degree at UW-Madison.
Tamara Brognano auditioned for her first FST production with her two-year-old son on her hip, and she hasn’t looked back since (that son is now in college). Favorite FST appearances include Mother in Ragtime, Amalia in She Loves Me, and Margaret in The Light in the Piazza. Tamara wrote our Great American Songbook scripts and has written and produced our community outreach programming since 2010. By day, she is a technical writer with ETC, and in her free time reads voraciously, annoys her kids, and is annoyed by her dog and cats.
Brian Cowing is a proud graduate of Oklahoma City University and the Bolz Center for Arts Administration in the Wisconsin School of Business at University of Wisconsin-Madison. Madison directing credits include: Four Seasons Theatre’s All is Calm (2019), Spamalot, Les Misérables, She Loves Me, and South Pacific; Capital City Theatre’s Hunchback of Notre Dame; and Children’s Theater of Madison's Matilda, Tuck Everlasting, Seussical, and The Wizard of Oz. Skylight Music Theatre, director and choreographer of 25th...Spelling Bee. Brian has served as guest director and choreographer at Clinton Showboat Theatre, Binghamton University, and Oklahoma City University. As an actor, National Tours: Annie (Mr. Bundles/Dance Captain), Something Rotten (Ensemble, u/s Nostradamus, Brother Jeremiah).
Thomas Kasdorf is proud to be on faculty at UW-Madison, as Lecturer in Vocal Coaching, working on University Opera’s upcoming production of Sweeney Todd. FST credits include: The Little Mermaid, Souvenir (Cosme McMoon), 1776, Vintage Valentines, The Sondheim Confessional, The Spitfire Grill, Big Fish (co-production with Theatre LILA), The Light in the Piazza, Great Dames Songbook, The Fantasticks, Side by Side by Sondheim, and Aspects of Love. Thomas earned his Doctorate in Collaborative Piano Performance in May 2020 from the University of Wisconsin-Madison, and is currently Artistic Director for Middleton Players Theatre and Artist in Residence for Middleton Community Orchestra. Thomas “Keep the arts alive!”
Professor Mike Leckrone joined the staff of Four Seasons Theatre in 2020 as an Artistic Associate and brings his considerable knowledge of jazz, musical theatre, and popular music to FST audiences in online Zoom classes, the forthcoming "Listening with Leckrone" podcast, and an upcoming new series of outreach events at Cafe Coda jazz club. In addition, Leckrone and FST staff will collaborate on the development of an original Great American Songbook show each season.
Recently retired after 50 years at the helm of the University of Wisconsin Marching Band, Mike Leckrone is a legendary performer and educator whose musical arrangements, halftime shows, UW Varsity Band Spring Concerts, and popular music history courses have been enjoyed by thousands. His many accolades include the “Lifetime Achievement Award” from the Wisconsin Foundation for School Music in 2007, the “Spencer Tracy Award for Distinction in the Performing Arts” from the Wisconsin Historical Society in 2010, and the Michael St. John Lifetime Achievement Award from the Madison Area Music Association in 2013.
Martie Barthel is pleased to return to FST for her 5th season as Company Stage Manager. Favorite FST stage management credits include The Little Mermaid, Spamalot, Assassins, Kiss Me, Kate! (Rehearsal SM) and A Little Night Music. Favorite non-FST Stage Management credits include The Mojo and The Sayso (Theatre LILA), The World We Make/ Change Your Mind, Change the World (Panel discussion with His Holiness the 14th Dalai Lama: 2013, 2016), UW Varsity Band Show (2015, 2016), American Kaleidoscope (Celebrating the Overture 10th Anniversary, 2014), Observe The Sons of Ulster Marching Towards the Somme (Strollers Theatre), and HAIR (Strollers Theatre). Martie has been stage managing in the Madison area for over 18 years and is also Production Manager for Theatre LILA.
Wendy Jones Hill has worked extensively in the Madison area as an actress, singer, teaching artist and director. Favorite FST roles include Kate/Lilli Vanessi in Kiss Me, Kate, Marmee in Little Women, and Signora Naccarelli in The Light in the Piazza. FST directorial projects include Man of La Mancha, Side By Side By Sondheim, A Grand Night for Singing, and three Great American Songbook productions. Other credits include work with CTM, Madison Opera, Capital City Theatre and Madison Repertory Theater.
Marja Barger (Production Associate) retired in January 2020 after working on every production for Four Seasons Theatre since its inception in 2005. Credits include director (RENT and Great Dames Songbook), props designer (My Fair Lady, A Little Night Music, RENT, and Les Misérables), assistant stage manager (The Last Five Years). As a staff member, she oversaw program production and advertising. In addition, she has worked with Forward Theater (Collected Stories, Sons of the Prophet, Or), worked on the production team for the Dalai Lama at the Overture Center in 2013 and 2016, and for the last four UW Varsity Band Shows. Favorite roles with FST are The Spitfire Grill (Hannah in 2010 and 2017) and Follies (Phyllis).